Spotlight customer reviews:
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Customer Rating: 
Summary: Very useful...
Comment: I found a lot of really useful information in this book. I do have to add that a "handbook" to me would be something more along the lines of a tightly written technical reference...but with that said, I'm glad this book wasn't that. I'm not all that into the interspersed "celebrity mixer" comments or the interviews with same that make up a third of the book. But in all honesty, I'll probably eventually read them all and find them to be useful too. So all in all: another Bobby Owsinski must-have for your studio shelf.
Customer Rating:
Summary: Great Reference!
Comment: Great place to start. Really builds a good foundation. The interviews are with the pros, as with all of Owsinki's books. I highly recommend all of Owsinki's books.
Customer Rating: 
Summary: Useful information that assumes some background
Comment: Very useful information, interesting reading and thinking about what the different engineers have to say. I also like the sections it provides on the artistic aspect of mixing.
It assumes you're already somewhat familiar with mixing sound, like how to "sweep across the spectrum" to find the dominant frequency. But just reading through it improved the quality of the live mixes I do under less-than-ideal recording conditions.
Customer Rating:
Summary: 'THE' book on mixing technics
Comment: This is THE book to a getting-pro mixer and sound engineer. Very good tips, up to date comentaries and references, lots of state-of-art producers and engineers comments and references.... Well, a must-have, and i'm not getting any money to say that. I leave in Brasil, a blight on good comments and solid info about music production and recording... again, this book is the book for pro mixers and sound engineers trying to sound (way) a little better....
A must have.
My small studio thanks it!
http://am.subversounds.com
Customer Rating:
Summary: Excellent for the audiophile
Comment: As an audiophile I truly enjoyed the book. It gave me clear and usable insight into why some of my recordings sound the way they do. It also allowed me to very quickly criticize some of my not so professionally mixed music. This includes classic and pro brands like "Deutsche gramophone and London" that you would expect to be top notch. They are not always perfect. For the professional it gives the philosophy of the professional mixers without much detail.
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Editorial Reviews:
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Secrets of the top mixing engineers are revealed in this second edition of the bestselling Mixing Engineer’s Handbook. In this edition, you will learn about the history and evolution of mixing, various mixing styles, the six elements of a mix, the rules for arrangement and how they impact your mix, where to build your mix from, and mixing tips and tricks for every genre of music. You will also learn the secrets of EQ and the “magic frequencies,” along with tips and tricks for adding effects, EQ’ing reverbs, effects layering, calculating the delay time, and much more. A lot has changed in the recording industry since the last edition was published seven years ago, so the new edition provides completely updated information on tips for a loud mix, hypercompression, mixing for Internet distribution, warning signs of an amateur mix, MP3 encoding, streaming audio, audio codecs, de-essing, gating, surround sound mixing, and more. There is also a completely new chapter on how to get the most from mixing inside your computer, as well as a new section on the bass/drum relationship and how to make this difficult part of the mix easy. The book wraps up with insightful interviews with the top engineers in the fi eld, including George Massenburg, Allen Sides, Bruce Swedien, Elliot Scheiner, Andy Johns, Nathanial Kunkel, and several others. Join the tens of thousands of engineers who have used this book to master the art of mixing.
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