Spotlight customer reviews:
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Customer Rating: 
Summary: Photoshop Lightroom
Comment: I can't work without Scott Kelby sitting on my desk to answer all my emergency questions. His book on "Lightroom" is easy to understand and is quick reference. Chapter one is an absolute "HOOT"! He keeps that humor up throughout the book. I recommend this book for novice or professional use.
Customer Rating: 
Summary: Pretty good
Comment: The good:
-Well organized & readable
-Covers the basics very well
-Comprehensive coverage of Lightroom
-Great coverage of black-n-white photography
The bad:
-No tear-out of LR shortcuts
-Section on printing skimpy
Customer Rating:
Summary: Workflow for writing
Comment: I found myself wandering thru the book because the style of writing just didn't work for me. There is good information in there but, you have to endure alot to get to it.
Customer Rating:
Summary: Wanna learn Lightroom? Buy it! Don't like Scott's humor? Buy it anyway.
Comment: Whenever I see the reviews that talk about how they don't like Scott's humor, I immediately disregard them. Geez, Louise, lighten up! Learning a new piece of software like Lightroom doesn't have to be droll, pedantic and boring. Whatever. Scott knows his stuff. And he's a funny writer. You don't like funny, too bad. Buy another book. You want to learn Lightroom? Buy this book. You WILL learn Lightroom. He makes his point that to get the most out of the book you should read it from start to finish. The PC users won't have a problem doing it, but it is difficult for us Mac users, but it works. I learned a lot about the intricacies of Lightroom. Scott never ceases to astound and amaze with all his little tidbits of knowledge on "how to" or "isn't that cool!" Just learning how to get rid of a Metadata template I screwed up was almost worth the price of the book! I was about to unload on Adobe for not making it easy. It is easy...tricky and not real intuitive, but easy, thanks to Scott. That's just one small example of how helpful this book is. And he really brings it all together in the last two chapters. I read it all. I even read the chapter on wedding photography, and I absolutely detest anything about wedding photography, but I still learned a lot. It's a good book. Worth the money. I work faster, and smarter now, and have more time with my camera rather than "fiddlin" with Photoshop. I still use Photoshop a lot, but getting organized, selecting, evaluating, correcting and printing is much faster. Thank you Adobe. Thank you, Scott.
Customer Rating:
Summary: Comprehensive and/but Breezy
Comment: Some folks have suggested that Lightroom is so intuitive that you don't need a book to learn to use it. Maybe my intuition is weak, but the more I read about Lightroom, the more I learn it can do, and the more I begin to like it. Although Scott Kelby's book covers all the basics, from importing digital images into Lightroom to outputting them to prints, websites and slide shows, he also shows how to use a lot of other controls and capabilities that I had not come across elsewhere.
Now I'm often put off by Kelby's breezy style of writing (e.g., "that way, when no one's around, you can ...play slide shows until it's time for your weekly therapy session") but here when he uses it in a book that's meant to be read from start to finish, it helps keep one from getting bored. And this book is meant to be read that way by a new user of Lightroom.
What makes the book even more useful is the step-by-step screen saves. The language for each illustration appears exactly adjacent to the illustration, even if that means leaving a lot of white space in the writing. Moreover, to overcome the problems of the Lightroom interface being harder to read on a printed page than on a monitor, Kelby directs your attention to the right place on the screen with a red circle. This may not seem like graphics enlightenment, but it's not a common technique.
I've said that Kelby goes beyond the intuitive. For example, I never would have guessed that Lightroom could be set up so that you could transmit an image directly into your e-mail from Lightroom, but Kelby shows how.
I've also been puzzled by how to move a photo from my internal disc drive to an external drive for archiving with Lightroom. There's no "Move" in the Edit dropdown menu. Then the author explained that I could create a new folder on the external drive from within the Folders Panel, select the image, and just drag it to the new folder. Presto, the image is moved and Lightroom updates its database to show the new location. It may be, with its excellent keywording and metadata facilities, that Lightroom will become the digital asset management solution for a lot of photographers.
I also appreciated the fact that the author was not afraid to say how inadequate the sharpening facility of Lightroom is. But he didn't stop there. He showed how to easily move a picture into Photoshop from Lightroom, sharpen it and then move it back. It still means purchasing both Lightroom and Photoshop, but at least there is a better way to handle sharpening. Given the advantages of Lightroom over Adobe Bridge and ACR as a front end, serious photographers will certainly consider using both pieces of software.
In the last chapters of the book, Kelby takes two different types of photography, wedding and portrait work, and landscape photography, and follows the workflow through Lightroom and Photoshop to tie everything that came before together in a fitting summary.
There's not much talk about art here, but when it comes to using the technology of Lightroom, this book seems to be as good as it gets.
NOTE: Since this book was published, Adobe came out with a significant update to Lightroom (v1.1). Owners of this book may download a PDF file covering the changes in v1.1 by going to www.scottkelby.com and following the links.
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